RIP Frank Gehry

Another iconic architect has gone the way of all flesh:

Frank Gehry, who designed some of the most imaginative buildings ever constructed and achieved a level of worldwide acclaim seldom afforded any architect, has died. He was 96.

Gehry died Friday in his home in Santa Monica after a brief respiratory illness, said Meaghan Lloyd, chief of staff at Gehry Partners LLP.

Gehry’s fascination with modern pop art led to the creation of distinctive, striking buildings. Among his many masterpieces are the Guggenheim Museum in Bilbao, Spain; The Walt Disney Concert Hall in Los Angeles and Berlin’s DZ Bank Building.

He also designed an expansion of Facebook’s Northern California headquarters at the insistence of the company’s CEO, Mark Zuckerberg.

Gehry was awarded every major prize architecture has to offer, including the field’s top honor, the Pritzker Prize, for what has been described as “refreshingly original and totally American” work.

Other honors include the Royal Institute of British Architects gold medal, the Americans for the Arts lifetime achievement award, and his native country’s highest honor, the Companion of the Order of Canada.

Gehry, who took advantage of new technologies and building materials to design seemingly heretofore-impossible forms, was already a star within the architectural world before designs such as the Bilbao Guggenheim made him notable to the broader public. As a student at the University of Houston College of Architecture in the early 1990s, I studied his earlier works extensively. One year for the college Halloween party we held a "Very Scary Frank Gehry Pumpkin Carving Contest," whereby students submitted pumpkins carved in all manner of unconventional and deconstructionist designs that mimicked his style. 

His vision did have its share of detractors, however: 

Not everyone was a fan of Gehry’s work. Some naysayers dismissed it as not much more than gigantic, lopsided reincarnations of the little scrap-wood cities he said he spent hours building when he was growing up in the mining town of Timmins, Ontario.

Princeton art critic Hal Foster dismissed many of his later efforts as “oppressive,” arguing they were designed primarily to be tourist attractions. Some denounced the Disney Hall as looking like a collection of cardboard boxes that had been left out in the rain.

Still other critics included Dwight D. Eisenhower’s family, who objected to Gehry’s bold proposal for a memorial to honor the nation’s 34th president. Although the family said it wanted a simple memorial and not the one Gehry had proposed, with its multiple statues and billowing metal tapestries depicting Eisenhower’s life, the architect declined to change his design significantly. 

You don't get to be one of the world's most famous architects by being unprovocative, and to be sure, even I thought that some of his designs were more successful than others. Gehry described architecture as being inherently sculptural; his buildings, with their kaleidoscopic materials and complex geometries, reflect that philosophy, for better or for worse. They will remain here for us to enjoy, even though he himself is now gone.

Time's Belinda Luscombe explores the charming mischievousness of Gehry's work, while The Atlantic's Carolina Miranda argues that Gehry's best works were not his flashiest.